As Below, So Above

a ritual by Joshua Pether

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Keir Choreographic Award 2022
Presented by Dancehouse in partnership with Carriageworks

About

This work was created by Josh Pether for the 2022 Keir Choreographic Award. Josh was supported by myself, Josten and Sage in a discussion and creation process that revolved around ritual and reversal.

Program notes:

We stand at the interface of a new beginning; four connected through histories past and futures. But we begin at the end and arrive at the beginning, with one eye to the sky and one ear to the ground. The Call to Prayer pulls us deep into the depth of the earth, histories and lineages vibrate and shimmer as they rise to take their place in 'Gods' clouds. We arrive at a junction between the thresholds of light and dark — four connected in the shape of the cross. As Below, So Above is a 20 minute ritual for personal deliverance and atonement, and a choreographic investigation into reversal and inversion. Ritual after ritual As Below, So Above repetitively allows the performer to enter into a space that seeks familiarity whilst asking to uncover the hidden spaces that exist in the known.

More about the lead artist:

Joshua Pether is of Kalkadoon heritage but lives and works on Noongar country in Western Australia. He is an experimental performance artist, dancer and choreographer of movement, temporary ritual and imagined realities. His practice is influenced by his two cultural histories - indigeneity and disability - and the hybridization of the two, with particular interest in the aesthetics of the disabled body and also that of the colonised body. As a ritual practitioner he is interested in the hidden knowledge the body has that can unlock the past history of the self and all its manifestations.

This project was supported by STRUT Dance in Boorloo (Perth) and Old Customs House in Walyalup (Fremantle).

People

Poetry

"I was particularly taken by the dancer Daisy Sanders who metamorphosed into a dark enigmatic mass, as her robe was arranged to envelop her whole body and she proceeded to writhe in a series of undisclosed shapes across the floor. It was as if she was indeed conjured from below by the sounds produced by the combined efforts of Josten Myburgh and Sage Pbbbt, one of which played a brass instrument, while the other performed throat singing."

Quote is from Vicki Van Hout's review for Form Dance Projects, and read Performance Review below.